Redefining Home | Curators’ Talk and Attic Tour

Redefining Home | Curators’ Talk and Attic Tour

Join Redefining Home curators — Meghan Drascic-Gaudio, Hailey Graham, and Madeleine Howard — as they discuss uncovering the story of Harold and Hana Kawasoe. Tours of the attic where the young couple lived will also be provided. On March 14th, hear artist Lillian Michiko Blakey speak to the inspiration and meaning behind her works. On March 30th, hear both artists, Lillian and Laura Shintani, speak.

Redefining Home: A Story of Japanese Canadian Resettlement in Toronto tells the story of  Harold and Hana Kawasoe, who lived in the attic of Campbell House Museum from 1948 to 1951. The exhibition follows Harold and Hana on their journey from British Columbia to Toronto, where they planted new roots, and examines the broader narrative of the forced relocation of Japanese Canadians to Toronto following the Second World War.

Redefining Home includes contemporary art installations by Lillian Michiko Blakey and Laura Shintani, who reflect on Harold’s and Hana’s stories and their own experiences of being Japanese Canadian. The artists further explore ideas of home, identity, loss, and resilience.

Curators’ talk free with admission to Campbell House Museum ($10/ adult, $6/ senior). OMA and Attractions Ontario complementary admission accepted. Reserve your Curators’ Talk tickets below.

https://curatorstalk.brownpapertickets.com

March 14, 2019 — 2:00-3:30pm

March 30, 2018 — 2:00-4:00pm

Textile, Memory & Storytelling

Next week, take a FINAL look at Bluebird Dress Factory and join us for an exciting conversation about the role of textiles in artistic practice: how can textiles be used in storytelling and preservation of memory? Can textiles help us heal?The panel discussion features:

  • Susan Fohr, maker, Curator of Education, Textile Museum of Canada (moderator)
  • Michèle Karch-Ackerman, the artist behind the Bluebird Dress Factory, currently on view at Campbell House
  • Sage Paul, artist, designer and leader of Indigenous fashion, craft and textiles and Artistic Director of Indigenous Fashion Week Toronto
  • Dorie Millerson, artist, Associate Professor in Textiles,  Chair of Material Art & Design Program at OCAD University
Tickets: $15

The ticket includes access to the exhibit.  Get your ticket HERE.

Artist-led tour of the exhibit will be a prelude to the panel discussion.

Artist-led tour: 6:30 pm
Panel discussion: 7 pm 

BIOS:

SUSAN FOHR is the Curator of Education at the Textile Museum of Canada. She started her museum career as a historic interpreter, and while working at Black Creek Pioneer Village she first developed an interest in textiles, learning how to spin and dye wool with natural materials. She holds an Honours BA with a specialist in art history from the University of Toronto.

MICHÈLE KARCH-ACKERMAN is a nationally recognized contemporary artist whose work is known for its provocative and touching mining of the “smaller” and often tragic histories of Canada’s past. A graduate of the Ontario College of Art and Design, her installations have been shown in over forty solo exhibitions at public galleries across Canada, including a recent retrospective at the Tom Thomson Gallery and participation in the Fashionality exhibition at The McMichael Gallery.

SAGE PAUL is an Urban Dene woman and a member of English River First Nation. Based in Toronto, Sage is an artist, designer and innovative leader for Indigenous fashion, craft and textiles, championing family, sovereignty and resistance for balance. Her work has been presented at Art Gallery of Ontario First Thursday’s, Festival Mode et Design (Montreal), a curated program by Ociciwan Contemporary Arts Collective at Western Canada Fashion Week and the Centre for Craft, Creativity and Design (South Carolina). She is the founding collective member and Artistic Director of Indigenous Fashion Week Toronto, sits on the Ryerson School of Fashion’s advisory board and designed/is delivering George Brown College’s first Contemporary Indigenous Fashion elective course. Sage is a recognized Woman of Influence (2018) and change maker (Toronto Star, 2018) and received the Design Exchange RBC Emerging Designer Award in the fashion category (2017). sagepaul.com

DORIE MILLERSON is an artist and academic based in Toronto. She is Associate Professor and Chair of Material Art & Design at OCAD University. Exhibiting for over twenty years nationally and internationally, her textiles and installations explore themes of memory, distance and attachments. She received an MFA in textiles from NSCAD University in 2003 and graduated with honours from the Ontario College of Art & Design in 2000. www.doriemillerson.com

Bluebird Dress Factory explores the intersection of time and death, humanity and ornithology. For over twenty-five years, Michèle Karch-Ackerman’s artistic practice has involved the act of making of clothing – for ghosts, the dead, the forgotten, and the hurting.
Last day to see the exhibit is November 29.

Just announced: EXTENDED HOURS on Thursday, March 15

The museum will be open until 6:30 pm on Thursday, March 15. Don’t miss your chance to see WAR Flowers – A Touring Art Exhibition before it leaves for Vimy, France on March 16.

Buy your tickets at warflowers.brownpapertickets.com

About WAR Flowers:

During the First World War, Canadian soldier George Stephen Cantlie plucked flowers from the fields and gardens of war-torn Europe and sent them home to his baby daughter Celia in Montréal.

One hundred years later, his touching ritual has provided the inspiration for this innovative multi-sensory exhibit.

WAR Flowers examines human nature in wartime through artistic representations that combine Cantlie’s letters and pressed flowers with original scents, crystal sculptures and portraits of 10 Canadians directly involved in the First World War.

warflowers.ca

The WAR Flowers exhibition is a production of Reford Gardens. This project has been made possible by the Government of Canada.

WAR Flowers – A Touring Art Exhibition comes to Campbell House Museum

 

 

 

 

 

WAR Flowers opens to the public at Campbell House Museum on January 24, 2018 and runs until March 16, 2018.

The exhibit explores the story of a Canadian World War I soldier, Lt Col. Cantlie and the connections with nine other people during that time. Lt Col. Cantlie collected flowers on European battlefields and sent them in letters, pressed between the pages, to his wife and children. 

The tickets will be available for sale on November 20, 2017.

“I believe people have an ability to find beauty and hope, even amidst the horrors of war. This exhibition examines human nature in wartime through a series of artistic representations, multisensory experiences and portraits of ten Canadians who were involved in the First World War. Optical crystal sculptures created by Mark Raynes Roberts portray scenes that illustrate different aspects of human nature while scents developed by Alexandra Bachand evoke personal memory. WAR Flowers is inspired by the pressed flowers picked by George Stephen Cantlie in the gardens, fields and hedges of war-torn Europe and sent to his baby daughter in Montreal. I examine these century-old flowers using floriography, a method of communicating emotion through flowers, to tell the story of human nature in the landscape of war.” – Viveka Melki, curator www.warflowers.ca

 

Performance Stills – October 2017

Performance Stills
Harley Valentine

Multidisciplinary artist Harley Valentine frames his site specific sculpture installations and collaborative performances featuring company dancers from The National Ballet in this dynamic photo exhibition. Valentines performance stills capture the moment of creation when sculpture, dancer and location blend to create a seamless gesture of limitless space and motion.

Works in this exhibit feature some of Toronto’s top photographers including Sian Richards, George Whiteside and Daniel Eherenworth. In addition to personal iPhone captures by the artist himself.